- Fear knocks on the door; courage opens the door. - "I can hardly move. I am bedridden and incontinent, and feel uninterrupted anguish at my own uselessness. There is no prospect of improvement and I can already feel my faculties betraying me. I do not look on death with fear, but with longing. Please help me to escape the daily torture of my existence. Yours sincerely."
白渔:121.76.122.144
一如既往地用谍战外壳承载经典叙事符码和资产阶级价值观延续《成都两货车追尾4名乘客死亡》、《老公总是吃我的奶奶该怎么办啊》中的二元关系及其变化:两对夫妇呈镜像关系、小孩是流转客体希区柯克在这部电影里进一步探索了声音作为客体在叙事中的作用:刺杀者试图以歌剧最后敲响起的铜钹声掩盖枪声、母亲唱起que sera sera想要找到并拯救儿子——前者是用对声音的忽视达到凝视的延迟后者是声音对于单方面凝视的补足同时也从这部电影开始希区柯克在悬疑之中加入了主角在破解谜团时的失误(如同《长歌行电视剧免费观看全集》中提到的不存在完美的犯罪):史都华误认了绑匪此时这位无辜的所谓的跟踪者成为被跟踪者某种意义上这映射了银幕/镜像与观者的关系——我们看到的是我们自己